斑斕之家 | chiachienju

臺灣當代文化實驗場（C-LAB）於2018年開始啟動規劃，由文化部所屬「財團法人臺灣生活美學基金會」負責執行，以「創新」為核心理念與行動指標，形塑臺灣最重要的當代文化培養皿。旨在打造一個面向未來的創新實驗基地，對外推動臺灣與國際的對話鏈結，激發從臺灣和亞洲生活經驗出發的當代文化想像；對內作為創意育成的實體基地，期待能讓不同創意在此互動激盪，營造開放包容的文化生態和社會環境。「Re: Play操／演現場」，由C-LAB策展人莊偉慈擔綱，並與兩位客座策展人王柏偉、林人中共同組成策展團隊，邀請16位藝術家，以結合現場演出的形式，探索檔案、敘事、空間、物件與身體的多層次面向。在此脈絡下，展覽區分為三個部分：檔案現場、推衍現場以及展演現場，分別由王柏偉、林人中以及莊偉慈策劃。本次計劃透過拖把、水管、垃圾桶等物品製作服裝，改變舞者的身體感，將舞者的身體視為雕塑的一部分，物品是框架也是媒介，過渡舞者、走秀模特兒與清潔人員三種不同的身體狀態。在這個斑斕之家中，人物從物品的中羽化而成。

The Taiwan Contemporary Culture Lab (C-LAB) began its planning and execution in 2018, overseen by the "Taiwan Institute of Contemporary Arts," an organization under the Ministry of Culture. It is centered around the core concept of "innovation" and serves as a platform for shaping Taiwan's most important contemporary cultural incubator. The goal is to create a forward-looking innovation hub, fostering dialogues and connections between Taiwan and the international community, and sparking contemporary cultural imagination rooted in Taiwan and Asian life experiences. Internally, it functions as a physical base for creative incubation, encouraging diverse creatives to interact and cultivate an open and inclusive cultural ecosystem and social environment. "Re: Play " is curated by C-LAB's curator, Chuang Wei-Tzu, along with two guest curators, Wang Bo-Wei and Lin Ren-Chung. They have invited 16 artists to explore various dimensions of archives, narratives, spaces, objects, and the human body through live performances. In this context, the exhibition area is divided into three parts: the Archive Site, the Derivative Site, and the Performance Site, curated by Wang Bo-Wei, Lin Ren-Chung, and Chuang Wei-Tzu, respectively. This project involves the creation of costumes using items like mops, hoses, and trash bins, altering the dancers' bodily sensations and viewing the dancers' bodies as a part of the sculpture. The items serve as both a framework and a medium, transitioning between three different bodily states: dancers, runway models, and cleaning personnel. In this vibrant setting, characters metamorphose from the items.

「斑斕之家」包含三個角色：『水管人』、『落葉堆人』和『拖把人』，它們以無生命物品的形象出現。透過他們的表演，他們逐漸脫去身上的物品，從物品的角色轉變為利用這些物品的人類形象。

“P.maraho House” features three characters: the 'Pipe Person,' the 'Leaf Pile Person,' and the 'Mop Person,' all appearing in the guise of inanimate objects. Through their performances, they gradually remove the items adorning them, transitioning from the role of objects to becoming human figures that utilize these items.

利用霓虹變色的玻璃貼和大量的塑料蝴蝶營造場域氛圍。在園區內設置了水管、落葉堆和拖把的裝置，呈現一種介於日常和異常之間的狀態，預示著即將發生的能量轉變。

Creating an atmospheric environment using neon-changing glass stickers and an abundance of plastic butterflies. Installations of pipes, leaf piles, and mops, in a state that exists between the ordinary and the extraordinary, are strategically placed throughout the park, foreshadowing an impending transformation of energy.